Поетичний синтаксис віршованих творів Сидора Воробкевича останнього періоду творчості (1876-1903)

Abstract

An important role in the expression of Sydor Vorobkevich’s poetic language is played by syntactic means. Goal. To investigate the functioning of poetic syntax in the poetic works of Sydor Vorobkevich of the third period of creativity (1876-1903). Conclusions. Syntactic means play an important role in understanding of the poetic language of the artist. Repetitions, among which the anaphores dominate are the ingredients of poetic syntax. Mostly, its use falls on the third period of creativity of the poet (FC – 0,04). Since this period is the most rich in creativity achievements, we will show the dynamics of several more figures: the refrain (I period – 0.002, II – 0.001, III – 0.002), the take-up (І period – 0.002, II – 0.008, III – 0.008), condilk (І period – 0,005, II – 0,005, III – 0,01). The selection of stylistic figures in S. Vorobkevyh works is quite rich. In rhymed poetry, Rhetorical questions, inversion, antithesis, enzhambeman, ellipsis, figurative parallelism, anadiplosis, asiadeton, polysindecton, pleonamism, anastrophe, likasaprene, polyptot, imprecation, climax, symposium etc. were practiced by Bykovynian poet.